Jump to content

All Activity

This stream auto-updates     

  1. Past hour
  2. Tomorrow's gonna be interesting…

  3. Today
  4. We Have Reason to Be Afraid, This Is a Terrible Place Nil nodded. It is the same elsewhere else on your travels here, she said. The gods have gifted you power, and some have even given you training, but never the understanding of what it is that power is for. Perhaps you could have lingered on an island longer, but then you might have missed the happenings of other places. The past is sealed from you, there is no returning to it. The reason I tell you these things, Nil said, is because, despite your assertions to the contrary, I am still only a god. And if you continue to believe otherwise, accept this: It wasn’t a request, it was a command. Like other gods, I cannot directly impact the world. Whispering across the wind and manifesting in certain spots is about all I can do. If I could end the world even with the gods and our rules holding me back, I wouldn’t need you. It would have already happened. She straightened her back, and she turned her head to face both of them again. “Need” is perhaps too strong a word. But you did have to see how the world was. That is actually something the other gods and I agree on. We only differ in that they thought you had to know of my influence, while I thought you had to see the futility of your actions. I could show you more. I could show you images of Andalou’s inhabitants using Joy to fuel their destructive revel just a little bit longer. I could make you wonder why David placed your coin on an altar or how you spread that law of cycles just a bit further. But I will get to the point. My gift to you is perhaps the most impactful thing you can do, to the gods, to Naviim, and, yes, to yourselves as well. It is this: ca̼ͬnt͇ͮ̔͡͡ić̴̨̻̊u̹̾͝ma̷d̮̆ ̪s̝͉̙̉u̡͈̽̒m͜͏̣̅ͯm͝umͤ̀ͅ ͬ̂̚m̌ͯ̓u̡͓͋͟nd̛i̳̞͗. As Nil uttered the completed sentence, the whole lighthouse, no, the whole island shook, reverberating from the impact of the words at play. It took several moments after the utterance for it all to subside. You already know what it does, Nil said. Do with it what you will. OOC
  5. Yesterday
  6. Yui made me make this blog post. Anyways, I have a problem. It's a real problem that plagues many an indie game developer. The game you wanna make is too big. This is the exact process I went through. "Man, I really wanna make a fighting game." "Fuck, it's too big. Well, I'll work to it, make a smaller game first. RPG with a lot of quests it is!" Starts on game "...This is too big. I need a smaller game." Begins on gacha RPG "... This might be too big. I might need a smaller game." And so, with the power of shitposting, Yui and I devised an amazing RPG. An RPG to defy all conventions! And by defy, I mean, stick to conventions all the indie RPGs are doing! I present to thee... The Railroad RPG I would talk more about it, but I have been reinstalling plugins... for two days!!! This blog does exist now though, expect a better post soon.
  7. What you don't want your world to be constantly in a void?
  8. "If the Shoe Fits..." - Some Ideas I Borrowed from Other Games (and regional diversity) It's been a highly unproductive week over here. I was having some mapping troubles (I fixed it earlier today by taking the option I didn't want to take, but wound up having to in order to avoid burning out), so after several days of just not wanting to work on the game, one conversation where I sparked to life the flames of inspiration in fellow RPG Maker user @Saikazo who I think it would be very cool if he also made a thread like this, and a bit of time finally spent setting the problems in my own game straight so I can continue work, production is back on track, and the infrastructure for the second of our three starter quests should be ready soon-ish. In the meantime, I wanted to do a post here, so let's talk about other games for a moment. Games that I think are pretty neat for one reason or another, and I've borrowed a page or two from their playbooks to use in my own. Legend of Zelda. I've talked about it already a couple posts ago, but I took some degree of inspiration from Legend of Zelda and to a lesser extent Pokémon with how to approach dungeons. Most dungeons have some sort of small gimmick relevant to a number of puzzles you need to clear in order to get through, and in Legend of Zelda fashion, there's generally a miniboss of some sort you'll have to defeat. The use of keys and the Boss Key in particular (even if I did split it into two pieces) was especially inspired by Legend of Zelda here. Final Fantasy. 14 in particular, but there's also a bit in common with 7 by accident. The idea of Tove's class changing over the course of the game was directly inspired by Final Fantasy XIV's job system, where each of the starting classes in the game are able to get a related job stone at level 30, unlocking an array of new abilities to take with them as they level up through the rest of the game. Not intentional was some shared similarities with 7, namely in the battle system. For the unfamiliar, Final Fantasy VII uses a pseudo-turn-based system where each character in a battle has a gauge that fills up before they can take an action, with the speed of the gauge filling up being based on the character's own speed. This game uses the same type of system, but it isn't because of Final Fantasy VII; rather, it's something I happened to notice later on. You could argue that the augments are similar to materia as well, but I'm not counting that because... Monster Hunter. Monster Hunter has two features that I realized were similar to what I was doing before choosing to embrace it fully rather than shy away and try to do something unique. Main story progression and decorations. Putting the latter first for pacing's sake, decorations are similar to materia in Final Fantasy; you put them in slots in your armor and get new skills. Unlike Final Fantasy, however, different types of slots exist (admittedly, these are just for decorations of different sizes usually), and also unlike Final Fantasy, decorations give you passive abilities instead of the stats provided by materia. This one was just a coincidence and still is, but I'd handily say what I'm doing is more akin to decorations than materia. What isn't a coincidence is how I'm progressing the main story. In Monster Hunter - at least in the beginning of it, anyway - you progress the main story by completing a certain number of quests from the board, then clearing a special quest that unlocks after you hit your quota. Clear that, and the next tier of quests unlocks, which you have to repeat the cycle through. Setting up main story progression like this happens to be very convenient for me as someone with zero knowledge of javascript (the language RPG Maker MV and its games run on), since I can give the player a set of quests all at once, then have them get the next major quest only after clearing all of them. For example, the three starter quests I've alluded to in a few posts are the first tier of quests, and once you complete all of them, you can get the first special quest that progresses the game further. Whenever I release a 0.1 version of the game, it will have all four of these quests. I quite like this system. On another note since I don't like the length of this post with just talk about ideas, here's another thing that's been on my dev mind lately. Differentiating different regions in the world. Upon this map I have hastily scrawled some borders. These differentiate not just nations, but entire regions of the world. For example, the western area is split into two kingdoms (you can tell where one ends and the other begins by the big wall surrounding the northern one). Saying your world has different region is all well and good, but if the only difference is the tiles you use, are they really that different? Luckily, RPG Maker has a feature for precisely this! You can tag certain areas of the map as different regions, and from there, you can also make it so that different troops of enemies only spawn in certain regions. For example, there's a change in the icy isles up north that you might face off with a yeti, but you won't find them anywhere else. That's not good enough for me either. Different regions need different philosophies behind their town designs, if not different tilesets entirely in some regions. That's an easy and very visual way to help make different parts of the world really feel like you're going somewhere new. For an easy example I can provide with the resources currently available to me, let's look at the shop areas in the still-very-uncreatively-named Holy City, and the equally-uncreatively-named Castle Town, which is in a different part of the world. Even if I were to "defrost" the Holy City, these would be two places that feel distinctly different from each other, even though the buildings in both towns are just glorified rectangles for the most part. That's how I feel looking at them, anyway. I need to do this a few more times over the course of creating an entire world (the MV Trinity resource pack should be massively helpful for this!). There's a lot more to consider when making different parts of a game world feel different from each other, but we'd be here all day if I were to go into detail on all of it, and I'd like to go to bed sometime tonight, so I'll wrap up the post here. To close off my ramblings of the night, here's a fun bonus screencap that has nothing to do with any of what I just said. There's a plugin on itch.io called MV3D, which causes the game to be rendered in a 2.5-dimensional style. There's also a free demo version of the plugin available, so I decided to give it a try. It... didn't go quite as I'd hoped. I will not be using MV3D in this project.
  9. Last week
  10. Robin's fireball flew right past Estelle and Ziun, a bit too close to comfort and the two of them thought they could smell slightly singed hair, and struck the hound before it could reach them. Quite literally exploding on impact as the hound's bones scattered in the air and disappeared within the fog. With the way clear for the moment the group continued on. Lana and Chris pulled up a bit ahead of the others and Chris would eventually notice something. While he still could only see thick fog ahead of him it seemed darker than it had before which could indicate a wall somewhere past it. To the right he could see the trio of skeletons marching nearly alongside of them and heading in the same direction. As he looked that direction he would see movement as yet another hound came rushing in from the same way. At the exact same time several more appeared. One of them suddenly popping up to the left of Lana and going for a bite on her calf. While another went head on towards Robin, weaving back and forth as it intercepted the girl in the gap between her and the two ahead. The other two, somewhat behind, weren't left out either as they would hear a similar noise as before, scraping claws, as a hound leapt at each of their backs.
  11. I watched this for the first time yesterday and Nenecchi's "hontoni delicious" (which I'm sure she didn't even say anymore after saying she wanted it to catch on) is coincidentally much like this.
  12. 8/10, some of them are just so weak like what's the point
  13. Which blue? Cool blue? Oh, sorry, didn't see the word cool there until a second after posting. Suppose I'll take this time to say I'll be adding some of my own. Mountain Dew Baja Gold Faygo Pinapple Watermelon Melon Ramune Jarritos Lime
  14. I wasn't going to bring it up, but few things this season have already started. Also, if I decide to do one of these late I wouldn't count something I've started, but even out of what new anime have started, I haven't seen any. Yet.
  15. Sam’s Cola Faygo Root Beer Crush orange soda If it counts, cool blue Gatorade. If not, caffeine free Pepsi
  16. This is the pair I was thinking of if I was gonna do any one from Sekai... but I didn't, and it's still very hard to decide between it & my nom.
  1. Load more activity
×
×
  • Create New...